Showing posts with label book review. Show all posts
Showing posts with label book review. Show all posts

Sunday, March 8, 2020

Olan Thorensen's Destiny's Crucible Book Review

Olan ThorensenJames Clavell Meets Mark Twain


Stranger in a strange land akin to James Clavell’s Anjin-San in Feudal Japan (Shogun) with an added dose of Mark Twain’s A Connecticut Yankee in King Arthur’s Court. If you can get beyond the premise and the first few sci-fi chapters, you’ll discover a land as rich as Middle Earth, and characters of depth and empathy and humor.

The plot grows increasingly engrossing, Yosef Kolsko’s mind-blowing adventure as fascinating as anything I’ve ever read. Nothing comes too easily for Kolsko, and we as readers are not crushed by the gravelly minutiae of reinventing soap. We root for the guy, and he could entirely be...us, me, you. I admit, I hesitated before starting this series (I've been a little spoiled by Brandon Sanderson's Mistborn series, as well as his Stormlight Archive (and each is tough to top). I am pleased to report that Olan Thorensen comes pretty close in engrossing the reader.

I tend to read and reread my favorite authors (I won't mention how many times I've read J.R.R. Tolkien's The Lord of the Rings, but I've read the entire Mistborn series three times, and believe it or not Stormlight Archive four times), and I will be reading Destiny's Crucible far into the future.

Book 1, Cast Under an Alien Sun is almost perfect. I think it would have been perfect if Joseph Colsco had opened his eyes on the alien beach, bewildered and confused, with memories of his "alien encounter" recovered, slowly, gradually, over the plot of the first book. I think Book 2, The Pen and the Sword, is perfect, if only lacking about three hundred more pages (that's just me being greedy). I find it almost absurdly shocking that Book 3, Heavier than a Mountain, is as good as the first two. That is truly a tough hat trick, and not even a lot of the very best authors can do that so convincingly.

None of this reads as boilerplate stuffing, or tried-and-true sci-fi tropes, but as...literature. There, I said it. Yes I did. Yes, as much as the aforementioned Mark Twain's story of a "modern man" finding himself a castaway in time, I think Olan Thorensen's stories will last (I don't know if the two authors will be mentioned together in 100 years, but you never know!). But in 100 years I would bet and almost prophesy, the name Olan Thorensen will be remembered and mentioned in the same breath as the name Brandon Sanderson (and that is meant as my ultimate compliment). And yes, I am aware that "Olan Thorensen" is a pseudonym, but then again so is "Mark Twain" (Samuel Clemens).

Olan Thorensen is a storyteller, and that is what I love and appreciate the most, and he’s telling the hell out of this story (I’m currently on the third book, and the author has rarely missed a beat, if any). This is good stuff, Maynard, and if you haven’t tripped over this story yet, you have a wonderful treat, right there before you, locked and loaded. Pick it up, start reading, and well...BLAM!

Art et Amour Toujours
Douglas Christian Larsen




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Tuesday, July 28, 2015

Never Let Me Go - Kazuo Ishiguro - Review


Faceless, nearly voiceless children, going through all the petty misunderstandings of childhood, albeit children reared in a somewhat posh English academy setting, in the pretty countryside. We do not know what these children look like, or why they find themselves in this odd world, but as we listen to the voice of  the narrator, a thoughtful and somewhat precocious girl, and gradually begin to glean the details. Are they orphans? Possibly, as parents are never mentioned.

There are the grim authority figures, although some of them seem touchingly moved by their charges, the children, and there are droning assembly lectures, the "why are we learning this" school lessons that most children wonder about, and we the adult reader recognize all of this, even if we have never been raised in a posh English countryside school dormitory, or academy. It is pretty much life, a little boring, droning, going on day after day. Ah, what is the point. Sigh.

The children pass stories in haunted voices, the delicious stories, such as the girl who wandered outside the gate and then was forced to starve there, or the boy who went beyond a certain patch of ground and was later found tortured and dismembered. The children love passing on these stories though none could say where these tales originated, they have always known them, and so there must be at least some truth to these horrible ghostly stories.

The reader wonders if adult figures began these cautionary tales, the way adults generally do, such as the hungry giant that eats children who do not finish their food in timely fashion. Adults really do mess with the minds of children, and they always have, way back to Baba Yaga, the Big Bad Wolf and every nightmare-generating fairytale from those far back and once upon a time days.

Are these real children going to school in the English countryside? Or are they part of some experiment, or the height of scientific technology. Without spoilers, we do wonder if these are just normal, everyday kids doing what normal, everyday kids do every day, just emerge from darkness into the gradual light of the real world.

Kathy works at her memoir and we see this world through her eyes. She is drawn to Tommy, a boy prone to volcanic eruption of mindless howling fury. And Kathy befriends magnetic Ruth, imaginative and creative Ruth, a dreamer, and perhaps a tale-teller and weaver of mystery. These three, Kathy, Tommy, and Ruth, evolve through their childhood, being told all the while that they and all the students in this English countryside are special, that they have a special mission, to save people.

These children, their whole reason for existing, is to help people. To save people. Saviors, when viewed a certain way. But step around these children and view them from a slightly different perspective, and they are really "poor creatures," walking, talking bags of replacement parts. Do they even have souls?

Through Kathy's gentle perspective we learn about sex and its meaning, we wonder about "possibles" or the original templates upon which they are based, there is misunderstanding, and a jealous seizure of love by controlling Ruth, and Kathy plods onward, only guessing at the meaning of her purpose and her very life, thinking it cannot be much different from any young person's life and ultimate "completion," as everyone dies, everyone completes.

The movie version of Ishiguro's Never Let Me Go is easier to grasp than the novel, the tender tragedy of a manufactured life, a scientifically mandated purpose of life, as the movie provides facial expressions, the worried looks of befuddlement (that any child feels, really), and the empathy of a teacher who knows the whole story, who for some reason feels compelled to share the truth with the children, and the ultimate hopelessness of dealing with a hopeless situation.

Probably the only aspect of this story that pushes into the realm of science fiction, is the setting, England, as it seems like an over-demand for suspension of disbelief (no! not Socialistic England!), whereas taking place in America, you wonder why someone has not initiated this plan as a scientific reality. You could believe it, in America, the land of dollars and sense. Of course, the England of only 100 years ago, all is instantly believable, or English infancy, the days of peasants, serfs, and the unwashed masses, just next door to the aristocracy with their perfumed fox hunts.

Ishiguro's triumph in this story, is that the reader builds a sense of hope for these doomed body parts. The reader wants something better for Kathy, Tommy, and Ruth. The reader realizes these beings are in fact soulful, that they do have the same rights as any other human.

The exact quandary faced by both England and America, in regard to slaves. A terrible institution, all the wise heads nod, terrible, we all agree, terrible, but what is to be done about it? And the institution grinds onward, mindless, chewing up human beings as part of the monetary process. Some must suffer, and die, so others might race jetskis.


Never Let Me Go - Kazuo Ishiguro - Amazon - paperback
Never Let Me Go - Kazuo Ishiguro - Audible - audio book
Never Let Me Go - Kazuo Ishiguro - movie



Sunday, August 10, 2014

The Disaster Diaries

Great Big Bang, Excellent Starting Point
Book Review: Audible.com version of Sam Sheridan's The Disaster Diaries

Sam Sheridan has a novel hiding in him, and I'll read it when he brings it out. But what makes this how-to guide different from everything else out there, is that the author took an idea of each aspect of what is most important to survival (of anything, really, up to and including a zombie apocalypse), and then went out and lived the aspect. He learned the stuff, instead of just researching it (which he also does). Then wrote about it, and did the writing very well. The subtitle of the book is How I Learned to Stop Worrying and Love the Apocalypse, a good example of the humor throughout. The horrific aspects are covered dynamically, with humor, and the snippets of apocalyptic fiction woven into the narrative are well done and will surge your pulse. Dealing with the unthinkable is more than stocking food, or spraying a whole lot of bullets (yet these are covered comprehensively, as well), and Sam Sheridan hits every bull's eye. Donald Corren brought the text alive, applying cardio-shock paddles with verbal gusto, making all parts of the book read as interestingly as a novel. Great presentation, and great listen.

Art et Amour Toujours
Douglas Christian Larsen



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Simulacron-3

There is No Spoon
Book Review: Audible.com version of Daniel F. Galouye's Simulacron-3

Daniel F. Galouye's truly visionary projection of mind into the future, and the engrossing possibilities, way before Neo and Trinity. In a philosophical bent, we enter Plato's cave, and we get to struggle with the very real life puzzle of "what is real?" True, the story is a tad dated, but not too much, this isn't a one-trick pony kind of deal, and Simulacron-3 is a compelling listen. Dennis Holland's reading is deep and paced for mystery. It is easy to imagine, while reading, what we would do with our own stumbling upon the evidence of this reality, and in truth, we already have stumbled upon such a concept (scientists are increasingly fessing up to the potential of a vast world hologram, or let's say it, the matrix). It is difficult to find good novels dealing with this question in any serious way, and Galouye tackles the conundrum powerfully.

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Douglas Christian Larsen

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The Lost City of Z

Okay, I'm Obsessed!
Book Review: Audible.com version of David Grann's The Lost City of Z

Very well read, excellently researched, and author David Grann mixes himself so well into the mystery of the missing colonel, I seriously began to worry he would vanish as well into the Amazon jungles (and perhaps translate this volume via spiritualism). Haunting, truly, the real-life characters and quests live and breathe again, and I was sad that this book had to end. I would not have minded another 8 hours or so. Compelling stuff, we really, really do want to know what happened to the intrepid colonel and his son, and we empathize with the surviving family that fretted and worried to the proverbial end. Narrator Mark Deakins enhances the mystery with his steady, fine reading, making this feel more like a novel than journalism. Sadly, we do not have the answer yet (or do we?) and like El Dorado itself, Colonel Percy Fawcett, the perfect archetype of stiff-upper-lip British courage, is now legendary (and I half expect him and his son to still turn up, popping back through the underground portal, young and vital, waving the keys to El Dorado).

Art et Amour Toujours
Douglas Christian Larsen




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How to Build an Android: The True Story of Philip K. Dick's Robotic Resurrection

Snappy and Engrossing: Bring Me His Head
Book Review: Audible.com version of David F. Dufty's How to Build an Android

David F. Dufty's wonderful book has a fascinating theme, bring me the head of Philip K. Dick! Yes, it is still out there, somewhere, dreaming of electric Pinchots. The star of the tale, of course, is the android, but the thought of what PKD would think of the android is just as mesmerizing a concept, and much PKD history (as well as android history) is introduced herein, as well. Dufty produced a great book that succeeds in many, many ways, telling the story of the android's creation, talented performance, and mysterious escape. But not to be neglected is the amazingly smoothed reading of Bronson Pinchot, whose wonderful inflection, musical meter, and rich tones should be the target for all android voices (and that achievement is probably more impossible than true AI itself); Pinchot is one of the best voice talents around. How to Build an Android is a credit-worthy Audible choice. 

Art et Amour Toujours
Douglas Christian Larsen




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Dawn of the Planet of the Apes

Go Ape
Book Review: Audible.com version of Alex Irvine's novelization of Dawn of the Planet of the Apes

Excellent novelization by Alex Irvine, and in fact, in considering this Audible.com performance by Christian Rummel, it is better to think of this media art as something other, and perhaps better than a "movie version" or even an original novel (if it existed), and I think this is much closer to the old-time radio experience, where a story comes alive and plays more than a movie in the imagination. You have an exciting story that furiously knocks you over, and yet you have all the deeper questions, thought sparks, and fantastic nuances of Pierre Boulle's original work. Rummel's reading is deep, aggressive, and musical, and if there is any minor complaint, it would be in his voice interpretation of the one female character, which is somewhat cringe-worthy (but it is a very small criticism, and does not detract from the overall production). This is a great "Ape-pocalipse" story that rivals the horror of any zombie end of days (and yet, we find ourselves rooting for the apes, well, you know, mostly). All in all, this is a credit-worthy listen.

Art et Amour Toujours
Douglas Christian Larsen



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The Magician's Land

Engrossed in Grossman
Book Review: Audible.com version of Lev Grossman's The Magician's Land

Abracadabra! The Magicians, as a garden (go with it), was patchy, brambles mixed with incredible blossoms (great book), while the The Magician King erupted into a wild English garden. The second book was better than the first, but you cannot view the books that way, one apart from the other, and the two-book combination is about as good as anything that fantasy literature has to offer, but The Magician’s Land surpasses the second book, and makes a whole that is as beautiful a magical piece as is The Lord of the Rings, or all of Narnia. It might not be fair to say that this is Harry Potter for adults, but this trilogy is certainly not for children (although you wish it could be, but 17 years of age is about as young adult as possible). No spoilers herein, but I gotta tell ya, some impossible things happen, things you wanted to happen since the first book closed, and these are not literary cheats (well, you know, maybe three or four, but all expertly dealt, and you will not mind the appearance of those purloined aces from up the sleeve). Lev Grossman has become a master of backstory, and some of his best writing is in the storytelling (breaking the modern tv-era-demand of “show-don’t tell”, and it is wonderful storytelling, including journal entries, characters sharing stories, secrets whispered, I loved it from beginning to end, way to go, Grossy). Magical (duh). And thank goodness for Mark Bramhall’s continued elegant reading (I still think he sounds like a slightly tipsy David Hyde Pierce), a rich voice that fairly sounds a siren’s call, with apt Brooklyn accents, and hoity-toity faux British nose-lifters, and a rich musical constant that rivals Scott Lee, although the Australian twang still needs a tweak or two, but it is a very minor complaint; Bramhall makes Grossman pop, so to speak). The Magician’s Land is a sure thing, a masterful accomplishment, and if you do not end up rereading the three books at least three times in the next three years, it just could trigger a magical apocalypse, so you are cautioned. Lev Grossman is the dude.

Art et Amour Toujours
Douglas Christian Larsen



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The Story Sisters

Haunting Hoffman
Book Review: Audible.com version of Alice Hoffman's The Story Sisters

A quick, happy fix? Not this novel, but magically like life, if you can endure and hold on through the dark, rough squalls of the storm, you will find rich, warm yellow light on the other side. I find this a more satisfying read than The Third Angel, which I loved, but this The Story Sisters is more lyrical, despite the tragedy lurking around every echoing corridor, beauty survives, joy bursts up like tomatoes of gold and green and brown in surprising places. Elv and Meg are fully drawn characters, even if they frustrate you to near death with their angst and self-loathing. But life has bad things, and often we lie to ourselves, hardly admitting that dark secret from back when, but it is always there, the demonic shadow, following along, pouncing upon every doubt, whispering in punctuation to every flaw. Alice Hoffman shows us that despite the bad things in every story, life is worth living, it is magical, and to my heart this story comes close to my two favorites The Probable Future and Practical Magic. Nancy Travis reads dramatically and does subtle voices that do not intrude, and flows in great rhythms and cadences. The Story Sisters, no romantic fluff here, but true romance, bone deep, painful, mysterious and haunting. Funerals with nary a wedding, and more than a couple of calamities. But there is also invented language, fireflies of crystalline enchantment flitting all about the story. Read this novel once, and it is assured you will read it again.

Art et Amour Toujours
Douglas Christian Larsen



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