Showing posts with label reality. Show all posts
Showing posts with label reality. Show all posts

Saturday, June 11, 2016

Vestigial Surreality: origins

The thoughts over the years that inspired the Serial Vestigial Surreality
vestigial surreality: origins
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Even as a child, I stared at my hands, often, thinking about the vast spaces between the molecules, and how everything was moving, vibrating, and it was so scarily obvious, that what we think of as "reality" is only a pleasant fiction, a calming story we tell ourselves, something we assure ourselves, to maintain a show of calmness, because if we thought about it, to any great depth, this woven web of vibrating spheres that comprises us—we, people—all would be in panic, mayhem, uncertainty. We would not be able to do anything, except perhaps run about as animals, purposefully not thinking. Do not think about it. Do not panic.

My hands were not real, at least they did not appear to be what they seemed to be, to my eyes, senses.

And it disturbed me, perhaps as early as the fifth grade, that the graphics in the textbooks depicting the microscope world (molecules, atoms, neurons and electrons) looked suspiciously like the graphics depicting the planets going about the sun, the moons going about the planets. You go small, infinitesimally smaller than humans can peer without technology, and you go large, farther than humans can peer without technology, and reality was vastly different, and yet coincidentally the same.

Religion told me a story that was suspiciously close to my own increasing awareness I explored in my thoughts, as a boy, as a youth, as a young man—that reality is not what we see and feel and experience. Religion, without the aid of technology to make us see better. Paints the world with unseen angels, ever present, and demons, always lurking, an omnipresent God, that this is reality, this unseen world, and more, that the unseen reality is the actual reality, and this seen reality that we live in is actually false, a deception, a practice ground that readies for that other reality, the unseen reality. That heaven is real, and Earth is but a shadow of heaven.

Think about that, you've probably heard something like it, or been taught something close along those lines. But think about it. God creates man, in His image. That's what it actually says, those sacred texts, that God created humans in His image and placed them in a "garden." Images in a garden. A world that is not real, but a pattern of heaven, which is real.

In the movie about C.S. Lewis, Shadowlands, as Joy is dying, and Jack and his beloved attempt to comfort each other, we are told that this is not real life. No, real life has not begun yet. This is the world of shadows. The shadowlands. These images in this garden, an environment (Earth), constructed upon the premise of reality, Heaven.

What is another way of saying this? That God, in Heaven, created a simulation, an image, and placed images in this simulation. A world of images. Images created of whirling dervishes, electrons ever spinning, molecules woven into a matrix of cells, intermingled to form solid objects, solid beings. Angels and demons, agents of reality, moving unseen within this world of images, where the NPC beings are created in God's image, they appear as He does, but they are not real, mere shadows of reality.

In 1977, the out-there author Philip K. Dick (whom many believed to be crazy, and the man admittedly suffered various mental conditions, and admitted to experimenting with all manner of drugs and intoxicants) announced to the world that we were living in a computer-simulated world. He said this with a straight face, long before the movies The Matrix and The Thirteenth Floor. In fact, Daniel F. Galouye wrote the novel Simulacron-3 in 1963, about 36 years prior to the book being made into the 1999 movie The Thirteenth Floor, about people running civilization simulations and realizing that they are themselves the digital people in a simulation. Philip K. Dick wrote about simulated worlds, and came to believe that possibly his books were actually tapping into "reality," the reality of a simulated "garden" containing the images of God.

The Apostle Paul claimed that one day we would all be changed, in the twinkling of an eye, transformed from a shadow image in a glass darkly, into reality, to be made real like that God, Who created us in His image. The shadows of Plato's cave, cast from prisoners who sit with their backs to the fire, and watch their own shadows flitting upon the cave wall. We are like those prisoners, attempting to pierce the darkness and understand the shadows, and we have created a copious amount of religions that seek to explain these shadows, these images, this simulation—they preach and teach, standing upon the shoulders of giants, and explain something they cannot comprehend.

Can an image in a computer simulation understand those things outside of the simulation?

I have struggled with these concepts, all my life. In 1977 when Philip K. Dick stated with a straight face that we were living in a computer simulation, the public could barely comprehend what he was talking about. We weren't running around with tiny computers in our hands, moving things about on screens with our fingertips. The first Apple II computer came out in 1977.

In June 2016 Elon Musk—the genius at the heart of SpaceX, Tesla, and SolarCity—mused in an interview that there is a possibility we are living in a simulated reality, someone's computer game, a digital world, and many citizens of the world reacted with shocked outrage, never imagining such a thing, even though Plato was struggling with similar mental conundrums more than three hundred years prior to the birth of Christ.

Based on string theory and quantum mechanics, scientists are running million-dollar experiments to ascertain whether or not they can discern evidence that our reality is a hologram. This isn't science fiction.

The series Vestigial Surreality is based on these mental struggles. What is déjà vu, this odd sensation that everyone has experienced at some point in their life, the uncanny feeling that this has happened before. In 1977 Philip K. Dick audaciously claimed that déjà vu is what we experience when our simulated world is changed, or when the beings outside the simulation make changes inside the simulation, and this was then explained in the same fashion in the 1999 movie The Matrix.

You can either write off déjà vu and say, well, it's just weird. Or you can struggle to understand the sensation, the reality that causes the uncanny sensation.

Perhaps it is bleed through, data from previously run simulations, popping up again, or at least vestigial memories remain, as we remember past lives, that this has all perhaps happened, many, many times before. And this sensation, this reality, gives rise to such fantastic speculations as reincarnation, past lives (while the reality is, it is the same life, played again).

Even in Christianity, in the more far-flung variety, there are those that believe Predestination is in reality a puppet show put on by the Creator. The Creator writes the scripts, does the voices, and pulls all the strings. Or others see it as a movie that God is creating, working as Director, Writer, and Casting.

Do we just throw it all out? Or do we think about it, and struggle? Question. Brainstorm. And try to understand?

Or can a digital being inside a simulation even grasp at the Reality beyond the reality of the ones and zeroes that comprise his or her whole universe?



Read Vestigial Surreality Online Free:
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08 09 10 11 12 13 14
15 16 17 18 19 20 21
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Vestigial Surreality by Douglas Christian Larsen, The Sunday SciFi Fantasy Serial, Free Online Fiction



Other Links:

Early Pioneering Imaginative Thinkers:
Daniel F. Galouye
IMDb Author Daniel F. Galouye
The Thirteenth Floor (movie) IMDb

Philip K. Dick

Online Articles:
Are We Living in a Computer Simulation?


Hologram Universe



Alternate World / Multiverse

Fringe (Television Series)


Sunday, January 17, 2016

Vestigial Surreality: 06: Into the Sandbox

The Sunday SciFi Fantasy Serial, Free Online Fiction, Mystery, Ancestor Simulation, Digital World, Data is Data
episode SIX
01 02 03 04 05 06 07
08 09 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31 32 33 34 35
36 37 38 39 40 41 42
43 44 45 46 47 48 49


Into the Sandbox.

Seven stood looking out the dormer window upon the pine forest, sipping at her favorite mug of coffee. She really did like the ginger, as there was some complementary interaction going on between spices; the cinnamon not so sweet, the ginger not so biting, and the too-strong coffee not so strong, the concoction all blending into one powerful brew. It was like a hot frothy coffee milkshake. She smiled sadly and formed the dormer window into a window seat so that she might sit and enjoy the forest below, and this is exactly what she did.
Vestigial Surreality: SIX, Sunday serial by Douglas Christian Larsen
Illustration by Harrison Christian Larsen ©2016 - Vestigial Surreality: SIX
With her sandbox on creep, for the last thirty hours she buckled down and concentrated on her schoolwork, actually moving herself from several weeks ahead of schedule, to closing down the quarter, taking and passing all her exams. If she concentrated, and really made an effort, she might accomplish two years of education in a full week of this lively, attenuated version of reality, a reality where you never required sleep, never grew tired, and truly, never endured stress.
Seven was not trying to put paid to her education, in fact, she was now considering tackling a much stiffer itinerary, which would be nothing, she told herself. Then she meditated on that thought, sipping at her coffee, reclining on the window seat of her favorite dormer window, looking at the still, quiet world of pine below her, and the fat squirrels that scampered from tree to tree, chasing each other, scolding, and it bothered her, the thought that a more extreme educational itinerary would really be nothing, just nothing at all. What did that mean? It would be nothing. Even appending letters to her name, what did it all mean, really?
Because what she accomplished here, in RL, it would not—she stopped her thought, reminding herself that here, where she sat in this newly formed window seat above a pine forest, this was actually her Inner Sanctum, this was not RL, she was merely one step below the staircase of reality, or one step above, if you thought about it that way, because as Number Six alluded in their conversation out in the common breakroom, this very private inner room, and the vast worlds beyond, seemed more like an improved RL, not in any way like a simulation.
Of course, Six had not really said anything of the sort, but his physical condition, a world of palsy, trembling in RL, that was not the world to which he devoted nearly all his time. Action is so much louder than the words formed by your lips. What was real to Six was this place, well, she thought, not this place, but his version of this place. And it frightened her somewhat, because she sat across from him, pitying him, he was a junkie, she thought she remembered Six even making a joke about it. Staring into his too-perfect physical self that was a tangled mass of highly tuned sinews and fiber, a body lacking fat, she was observing her own too-near future. Six was a living prophecy of Seven.
Seven, or Newbury (she reminded herself of her name, at least once a day; no, not once a day, because time did not divide into days here, but out of habit, she did notice the time in twenty-four-hour blocks, and at least once during this block of time she had to stop calling herself Seven, it was a number, and she was Newbury, a person, a real person, not a number but a person), she had not zipped through her full quarter of study in a concentrated application of focus to pass the time, or to cram in more credits, but realized at a deeper level she was clearing some time for her crystal sandbox, the one she had, secretly from herself, worried and fretted at all these thirty hours.
That particular crystal sandbox, the one with the kid, Jack, and the older guy that seemed to randomly appear, and just kind of, oh I don’t know, the old boxer, Stacey, he had appeared and ran smack into her Principle, Jack. Jack was her Principle, her object of study, he was the guy on which she would write her final dissertation. And it troubled her (oh so much about this crystal sandbox troubled her), because she first thought of them all as characters, Jack, Stacey, the businessman, the old guy that looked like a homeless person, even the pigeons, they were all just characters in a play to her.
But, they were not characters in a play. They were people, even the pigeons were individual beings, all with their own concerns, fears, emotions.
Did pigeons even have emotions?
Seven rubbed her hands together, ridding herself of the coffee mug. She stood from the window seat and returned it to the usual dormer window. When she did not need it, she preferred the empty space to needless clutter.
As she strolled to her desk she thought of a red silk kimono and looked down at herself in it as it appeared, and it felt good, the silk already warm to her skin, but she thought she looked kind of silly, kind of pretentious, and instead thought of her usual black sweats, and that was better as she walked, clothed in black sweats and her fluffy white socks. She felt cozy as she reached the desk, opened the drawer, and snatched up the crystal sandbox out of its fancy cloth box. Holding the crystal cube in her hand, she peered inside and noticed the miniscule bustle of the city on creep time. First things first. She duped the cube by pulling it into two cubes.
Now the two crystal cubes were identical, neither being an original, neither a copy. They were now two crystal sandboxes, and each would run along similar pathways, but soon, probably even at this moment, they would begin to diverge and the butterfly effect in motion would soon ensure each was a highly different environment. She froze the one in her left hand, stilling the bustle of the city, and this she returned to the cloth box, and closed the desk drawer.
Seven imagined a server somewhere registering her vast data doubling, and perhaps a technician bending forward to a screen to ascertain what the crazy girl in the Number Seven slot was doing. She knew, however, that there were no limits. This was not like a data max imposed on an e-mail account. Still, she did not wish to worry about being a data hog. She reopened the desk drawer, seized up a handful of a few of her earlier practice simulations, and dropped them into the wicker wastebasket next to the desk.
She stared at the wicker wastebasket. It was beautiful, intricately woven. She loved it. But she frowned, because when had she done this? Changed her wastebasket? She loved her brass wastebasket, the one that looked like an old-fashioned spittoon, which she had formed on her first day in her Inner Sanctum. It had come with the desk, from a catalog, and they matched. The wicker basket did not really match She must be subconsciously modifying this place, making it even more her, because she highly doubted that anyone was tampering with her Inner Sanctum. She would not even begin to go down that road of paranoia.
Seven remembered those angry eyes, staring directly into her, those severe eyes above the half-lens spectacles. Maybe it wasn’t paranoia. But she wouldn’t worry about that, at least not yet.
Plus, she liked the wicker basket, even better than the spittoon.
More than anything else bothering her, that was the kicker, that guy, the businessman with the umbrella and briefcase. He was not a denizen of the crystal sandbox—her crystal sandbox. That guy did not belong. He was an outsider, and he changed things. He carved Jack’s name into a tree, and he gave Jack a book (the book was now in her to-read bookcase, alongside the William Goldman novels that Jack and Stacey mentioned). She was not much of a reader, not the voracious kind, like Jack, and Stacey.
The other man, the old man that somehow revived the pigeons, he did not belong either. And he told her not to be afraid. What business was it of his? She could be afraid if she wanted to. Not that she was afraid. No, she was angry.
Perhaps, that was the point, she was taking this too seriously. Maybe she was viewing all of this wrong, and she should relax, a bit, and just enjoy everything.
Okay, Jack, what are you up to? She went to the couch and spread the crystal sandbox out on the coffee table, then she moved her fingers and zoomed in to where Jack stood in an alley. Seven blinked, what in the world? Jack and Stacey were moving backward, the kid behind the older man, and Jack’s nose was bleeding profusely, it looked terrible, and Stacey had his hands up, and he was bloodied, as well, his left eye closed and already swelling.
Seven switched angle to take on Stacey’s point of view. Three small men were advancing, another three lay strewn in the alley, two not moving, the third pushing himself off the pavement and jerking to his feet, but then this third man fell over again, his face a smear of blood.
Okay, something had happened, something that was not supposed to happen.
Seven scrolled everything to the right abruptly and she caught a reverse-flow of images tangling, violence, and then she was in a dark room alive with people, a coffee house and she found Jack and Stacey at a table. She stopped the flow. She instantly saw the man that did not belong here, the tall old man from earlier, but now dressed differently, standing at the fireplace, flipping through a slim paperback book. A small man with canes was moving past Stacey and Jack.
Seven moved up close to the old man and he hummed through the corner of his mouth. It sounded to Seven that he was making the noise to her, directing the sound at her approach, kind a smiling mmm-hmmm, as if he were greeting her. The old man could have just as easily have said: “Ah yes, and here you are, again!” Then he vanished. Seven gasped. Well, if she needed further proof, this was it, like the businessman, this tall old man was an outsider to this crystal sandbox. They were meddling with her project, damn it, and she was going to put a stop to it.
Seven considered this for a few moments. She had scrolled back through time, following what had transpired in a few minutes, and yet the old man had perceived her approach in the now, and this did not seem possible. He should not be able to address her directly, except that of course it was possible, because in the sandbox there truly was no past or future, there was merely data flow. At least that is how she understood it. But how could he be aware, in the now, of something she had just scrolled to.
She glanced to the side and gasped again because the older man, Stacey, was striding purposefully toward her. Now this was impossible, he couldn’t possibly see her! She was preparing herself for what she could possibly say if he accosted her, because he might be angry, livid with rage. She perceived a lot of men that way, right on the edge of fury, especially big, powerful men like Stacey.
Stacey seized the book from the mantle over the fireplace and turned abruptly. For a second it seemed he looked right at her, the way the businessman had seen her, but that was just a trick of the eyes, because it was not as if she actually stood here, next to the fireplace. Stacey’s eyes had just moved through space, passing the area in which her POV resided. Still, her heart thudded in her breast, she actually placed her hands over her heart where it raced, and she blinked, because it was not as if her physical heart were actually here, in a physical body, next to a fireplace.
Seven was at their table in an instant, not walking, but just being there, being here, even before Stacey returned to his seat.
Just look at Jack, young, vibrant, alive, handsome, almost trembling with excitement. She was so charmed by his vivid being that Seven laughed out loud, and then froze, her hands covering her mouth, because Jack reacted to her laugh, he actually glanced away from the approaching Stacey, and looked about himself, as if he were looking for the source of her laughter, and the focus of his eyes passed right across her face like lasers, but then Stacey was there. Seven forced herself to relax, it had just been a coincidence, her laughter and Jack’s seeming reaction. He could not hear her, because she was not here, she was sitting on her couch in her Inner Sanctorum, and then, she was not actually sitting on a couch, but lying quietly, surrounded by tingling sponge, in a dark chamber that even now was in the constant process of perfecting her physical body.
They looked at the book, the three of them, and none of them recognized the title, nor the author. In her Inner Sanctorum, in her to-read bookshelf, Simulacron-3 appeared between William Goldman’s Control and Haruki Murakami’s 1Q84. So much reading, so little time.
Stacey unfolded the paper bookmark and Seven’s eyes widened, it was the old man’s message, first to her in the park after the pigeons came back to life, and now here scrawled in ungainly pencil.
“Don’t be afraid,” Jack said. “Well, that’s kind of anticlimactic, ain’t it?”
Stacey sighed. “Everything is anticlimactic. Every comedy is someone else’s tragedy, and every tragedy is just a headline to somebody else.”
“What’s that?” Jack queried, pointing to a smudge under Stacey’s thumb.
Stacey moved his thumb and they saw what could only be an iconic doodle of the planet Saturn. Stacey’s big hand had smudged it, but they both knew what it was, and they looked from the note to each other. Stacey threw the paper down onto the paperback book.
“So this is all part of something,” Jack said, and he looked afraid.
“What we saw in the sky, and now here, in a note, left by Old Ben,” Stacey breathed.
“What’s happening?” Jack said, and he was smiling, but there were real sparks of fear dancing in his luminous eyes.
Stacey half shrugged, and then grinning, he pointed to the message at the top of the note.
“Don’t be afraid,” Jack read. “Why does that scare me so much?”
“What you said, earlier, Jack,” Stacey said. “About an experiment?”
“You mean by an alien god that works for the Government?”
“Yeah, that one,” Stacey said, his eyes seeing things far away.
“Either that, or ghosts,” Jack said, drawing his chair closer around the table toward Stacey. “Just before you got back to the table, I think I heard a ghost.”
“That’s a coincidence,” Stacey said, and made an imaginary chalk mark in the air.
Newbury’s eyes widened. Jack was referring to her involuntary laughter, just moments before, but what Stacey had just done, moving his finger like that, it looked uncannily as if he were accessing her system!
“What are we up to?” Jack said, and then he lifted his finger as had Stacey and made three more imaginary chalk marks and then drew an imaginary line through the other marks, from corner to corner. “I think that must be about thirty-one, already.”
“I think thirty-two,” Stacey replied, slumping in his chair. “When I went to get the book I almost thought I was going to bump into someone. Someone who wasn’t there.”
“It’s our ghost,” Jack said. “I heard her laugh.”
Stacey chuckled, “I bet she’s very pretty.”
“No,” Jack said, “she’s beautiful.”
Seven nearly screamed as Jack’s eyes moved and looked directly at her.
She froze everything and stood away from the couch. She paced to the dormer window and looked out at the pine trees. The squirrels were chasing back and forth across the patches of snow. Seven pulled a glass of merlot to her lips. She usually didn’t drink alcohol this early in the day. Then she nearly screamed. Drinking alcohol, that was a laugh, this wasn’t alcohol, this wasn’t even a glass, and what did time of day even mean? Here, damn it, here, what did anything mean, and what was happening, she was as afraid as Jack, because weird things weren’t just happening in the crystal sandbox, they were happening here in RL, okay, so not RL, but here, in her own personal sacred space, her Inner Sanctum.
Maybe she should get out of the chamber, right now. She could take a break, she had more than two months of free time. She could go visit Mom and Dad.
She downed the wine in a gulp, She felt woozy. Too fast, too fast. She refilled and sipped. Just think. You don’t have to be afraid. He told you. Just relax. Enjoy it. Don’t be afraid.
Newbury (she minded herself) crossed back to the couch and settled back. She looked at the frozen scene, Jack smiling wistfully, his glance coming right out of the crystal sandbox. It was like they were looking into each other’s eyes. Here was Jack, a boy, bright and alive and full of mirth and mischief.
And Stacey was there, too, Stacey who did not belong. She could scroll through the sandbox and find the stone with his name on it, she could read the dates, and yet here he was, slurping coffee, sitting almost knee to knee with the young Jack. Stacey and Jack, Jack and Stacey, freaking each other out with their coincidences. Trying to figure out what was going on in a world which would stymie them at every turn.
Newbury broke into tears, the sobs surprising her. Tears erupted from her eyes and wet her cheeks. What was wrong with her? Why was she taking this all so seriously? This was her project. She had mapped out the details, whipped together a report, submitted it, and almost instantly, it was all approved, everything, and everything was here and alive more than she could ever have hoped for it, even in her most cherished dreams. Here she was, with the opportunity of a lifetime, and instead of exploring and documenting and laughing her lungs out in pure unadulterated…joy…here she was, sitting on a couch, inside herself, of all things, weeping her eyes out, gulping at wine that was making her fizzy and groggy.
Jack was a person, fully alive, with all his hopes and fears and dreams, and even Stacey, he too was a person (one out of time, out of order, that was true, but here he was, just as vibrant and full of spirit as the kid).
Still sobbing, gasping, she contracted the sandbox into its vestigial crystal cube, but she left it there, sitting on the coffee table. She had fully intended on putting it back in the desk drawer.
Then it occurred to her where she had first arrived in the sandbox during this turn, with Stacey and Jack backing down the alley, the three small men advancing on them. She tossed off the second glass of wine and woozed for a second. Whoa, oh, it was very real, drinking wine here in her Inner Sanctum. She refilled the glass and set it on the coffee table next to the crystal cube.
She burped, loudly. “Excuse me,” she said, her own voice making her start.
Sandra Newbury wiped her eyes and cheeks on her black sweatshirt, and then she opened the sandbox, extending it to the four corners of the coffee table, and leaned in close, staring into Jack’s eyes.
The whole room was frozen. She stared into Jack’s eyes, nodding. Then she forced her gaze away from him. She glanced across the room. She saw the small man, the one who earlier had stumped on canes past Stacey and Jack. He was looking across the room, obviously staring at Stacey, and the mountain of a man beside him was looking back too, craning his vast head over his shoulder, his full beard shaggy and a mess, and he too was looking directly at Stacey.
She turned her attention to Stacey, the man who should not even be here. Why were they so interested in him? Sure, he was a striking man, big and strong and handsome, with those beautiful shocks of white in his dark hair, but it wasn’t as if he were some celebrity to draw attention in a public coffee house.
Her eyes caught movement outside the window. That shouldn’t be. No, that could not be. This was a frozen sandbox. There could be no movement, but she drew close to the window, and gasped a short breath.
Because he stood just outside the window, looking in. The businessman. He stood on the other side of the glass looking directly at Seven.
He lifted a hand before his face and flexed his index finger toward his face. Seven did not understand. She knew what he meant, that was obvious. Get out here, now. But it was impossible, him being here, him breaking her control of the sandbox. Then with an angry expression on his tight face, he formed his hand into a fist and jabbed his index finger straight down at his feet, which obviously meant: I mean it, now. Get out here, little girl.
Feeling like a child about to receive punishment, Seven moved outside the window and stood before the man, who was of equal height.
“I am terminating this, do you understand?” he said in very clipped words, staring at her mouth.
“I duh-don’t uh-understand,” she stammered, feeling completely powerless, and yet her mind strayed to Number Six, trembling and stuttering at the table in the common room. She burped again, but thankfully did not excuse herself, did not even cover her mouth. But sandboxing and drinking certainly did not complement each other.
“No. You do not. You understand nothing, do you understand?” he muttered softly, savagely, barely controlling his anger, his eyes moving away from her mouth, staring into her eyes.
That didn’t make sense, not at all—you understand nothing, do you understand—what in the world was this guy talking about, and how dare he burst in here, into her sandbox, messing about and sneering at her.
And she suddenly realized she was standing here, in the sandbox, in the alley, in the bright sunlight, standing in front of the angry businessman.
Seven steeled herself. Who did this guy think he was? She stepped in closer to him so that they were only six inches apart.
“You don’t belong here, and I want you out, now,” she said, matching his soft and angry tones. Then she surprised herself. She reached out her hand and poked him in the chest with her index finger.
His eyes widened, and he looked down at her finger. She abruptly drew the offensive finger and wrapped her arms challengingly across her chest.
They stood and glared at each other.
“Neither of you understand,” a new voice said. They looked to where a group of men were walking toward them, spreading out to block the alley with distinct menace.


Sunday, December 27, 2015

Vestigial Surreality: 03: Seven

The Sunday SciFi Fantasy Serial, Free Online Fiction, Mystery, Ancestor Simulation, Digital World, Data is Data
episode THREE
01 02 03 04 05 06 07
08 09 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31 32 33 34 35
36 37 38 39 40 41 42
43 44 45 46 47 48 49


Seven.

Newbury stirred and opened her eyes in the blackness. It always seemed like waking up, rising from sleep, despite the fact that she had been more active over the past three days than any collective seven days in her previous life, maybe even ten days, or more. She should expect to be tired, exhausted, after seventy-two hours, and yet she felt wonderful. The lid of the chamber rose silently and the very dim lighting in the bunker greeted her eyes like full daylight. She blinked several times and instinctively yawned, although she was not tired, not in the least.
Illustration by Harrison Christian Larsen
Illustration by Harrison Christian Larsen ©2015 - Vestigial Surreality: THREE
Newbury swung her long legs over the side of the padded chamber and rose to a sitting position. All her limbs tingled, especially her fingers and toes. She pushed herself away from the chamber and stood, taking deep breaths, smiling.
She felt alive. More fully and vibrantly alive than at any other time in her twenty years of existence.
She padded softly with bare feet in quick steps to the bathroom and switched on the mulled warm lights. She caught sight of herself in the mirror and for a few moments, she hardly recognized herself. The young woman with the short blonde hair in the mirror appeared to have just come from a health spa where she must have sampled every conceivable beauty treatment.
Newbury inhaled deeply, staring at the stranger that was herself. Her skin glowed. Her eyes were large and bright. Even her hair seemed lit from within. She never thought such things about herself, but the young woman in the reflection was beautiful.
She felt like the luckiest girl alive. She had applied for this experimental program, really as just a lark. But she had been one of the fortunate few to pass the battery of both psychological and physical diagnostics. At first, it was nothing more than that she needed money and the college provided only very limited opportunities for scholarship students. This research participation had seemed ideal, as it did not interfere with her school time, and it provided experiences, which had up to this point seemed more like speculative fiction. And at triple the pay of any mundane job she might have found, this gig answered all her needs, and more. She wanted it to be permanent, even though she only had a two-month contract.
More than anything, she wanted to race back over to the chamber and immerse herself again. But she had to steel herself, as there were requirements she must meet. Sighing, she hurried back to the chamber and seated herself into the modular desk that was a part of the chamber itself. She flipped up the small LCD screen and a keyboard of light appeared on the glass desk surface beneath the screen. It was not a physical keyboard, but much like a smartphone projection. It was just like entering information in her phone, only slicker, as the keyboard was lifesize.
Newbury quickly typed her information and as soon as she completed the first menu, her own face replaced the text fields on the screen. Softly she spoke her report. Her words came easily. She rattled off the required explanations and descriptions, spreaking softly and quickly. This part seemed like nothing more complicated than recording a selfie video for friends.
Requirements met, she stood away from the desk and stretched her body. The sensation was amazing. Her arms and legs and torso seemed powerful, ready to go, muscles tingling. She was bursting with fabulous energy.
She went to the base of the chamber and peered at the display screen. All her numbers were listed. She had just logged seventy-two hours, and this was the third time she had completed a three-day cycle. Now she felt confident enough to try some of the extended cycles that her more experienced peers, far longer in the program, were regularly completing.
Newbury strode to the next chamber and casually read the data shining on its screen. Number Six was deep into a thirty-day cycle. She was not sure if she was ready for this kind of commitment, but felt the seven-day cycle should be easy enough to complete. She progressed down the line, glancing at screens. Number Five was nearing the end of a seven-day cycle, for the second time. Number Four had just begun a seven-day cycle, for the second time. Number Three, another Elder Veteran (they were called), was midway through a sixty-day cycle, and Newbury noted that Number Three had progressed steadily from a three-day cycle, to seven-day, thirty-day, to the present cycle.
Numbers Two and One were newbies, like herself. Number Two was on the third day of a three-day cycle, and Number One was just reaching the second day of a first three-day cycle. Wow, Number One was really new to this. Newbury felt a pleasant sense of surprise, as she was not the lowest man on the totem pole any longer; lowest woman, she mentally corrected. She felt like an Elder Veteran compared to these two, although she would in reality must complete two seven-day cycles before she could be considered an Elder Veteran.
Once she gained Elder Veteran status she would sign a new seven-month contract. She felt so excited. For the first time in her life she had found something at which she was very good.
She knew nothing of the people lying in these chambers, separated from her by only a few feet, other than assuming that they, like her, were students. But the chamber screens revealed nothing of gender, age, name, or anything else of a personal nature. If she wanted, she could watch their slow breathing, which displayed on each screen as slowly rising and falling graphs. The undulations of the graphs were hypnotic. Pulse rates displayed as a tiny beating heart shape, like a little Valentine, with the numbers beneath, which remained steady on each display at thirty-two beats per minute.
Newbury was not really curious about the six other chambers. She was interested in her chamber, and she had to force herself not to run to her chamber. She strolled slowly, measuring each step, dragging her fingertips lightly along each silent chamber as she passed. Perhaps she should get a glass of water, or use the bathroom, but the fact was, she felt perfect, she needed nothing, not food, not water, and incredible excitement ascended throughout her body.
For the first time in her life, she truly felt that she had found…home.
Newbury knew she was supposed to wait a few hours before beginning a new cycle, but she couldn’t wait, it felt like Christmas morning.
She quickly rolled into her chamber and situated herself comfortably in the warm sponge of the bed. The upper portion of the chamber descended and she closed her eyes, sighing.
Distantly, Newbury heard the hum of the field suffusing her, and she felt the delicious ripple at the back of her neck, chills, really more like thrills. What did they call it, a goose walking over your grave? Something like that.
This part felt like falling asleep, and in a moment she sensed her body drop, just an instant of the falling sensation, and then she was weightless. Newbury was cradled, in the womb, something other than herself, more like an amoeba than a human being. And she liked this feeling, as well. This was the good part just before it got truly great.
She separated.
She was in her Inner Sanctum, a domicile of her own creation. Warm natural light filled the space, just beyond the foyer arch. One moment she was amoeba, and the next moment she was more herself, more herself, well, she…was. Newbury was, Newbury is, Newbury will be.
Newbury stood, lightly, with one hand on a low foyer table, just inside the warm red door. The warm red door was just at her back, she could feel it behind her, even though she was not really touching the lacquered door. The tabletop beneath her fingertips felt alive. Everything seemed alive, sparkling with breath, tingling with light.
Before her the steps of white tile led down, three simple steps. She loved stepping on the rough white stone in her bare feet. But for a few moments she did not descend, as she enjoyed looking down into her Inner Sanctum. Warm, soothing, rich, textured, her safe, safe place, she was safe, she was alive, and an infinity of possibility was just before Newbury with the ceiling rising high above her in the Inner Sanctum, and gleaming wood of the polished floors inviting her, and far across she could just discern the dancing flames in the stone hearth. She slowly strolled down the white steps onto the wooden floor. Yes. She always loved this part, entering her Inner Sanctum, with the big red lacquered door behind her, safe. She touched the rough beige stucco of the textured wall, the small arched doorway where she passed from the foyer into the Inner Sanctum itself.
Newbury spun around like a little child, throwing out her arms, her head back, eyes closed, and she spun gracefully, twirling like the distant memory of her childhood, images of the little pink ballerina in the music box, ah yes, she twirled, safe, home within her Inner Sanctum.
Desk, she thought, and opened her eyes at her massive rolltop desk. She was in the cozy office chair, and she reached and rolled up the rumbling cover of the desk. With her peripheral vision she noted the red door up on her left and the three white tiled steps leading down to the wooden floor. She didn’t have to do this, open the desk each time, but she loved the feel of the red wood slats rumbling upward, the pigeon holes appearing with all her neat cards and notes and folded sheets of crisp white paper, each in its place, as she was in her place.
She drew a creamy sheet of parchment from the top left pigeonhole of the desk, and unfolded the thick paper and smoothed it into the air just to her left. She swiveled in her office chair, resting her hands on the fine wooden arms of the chair. She glanced at the paper in the air and expanded it with a thought. She checked through her classes for the day, mentally ticking off the various assignments and homework. She flicked her eyes to the left and the surface of the paper scrolled slowly, moving from right to left, and Newbury checked each day for the next two weeks, and yes, she congratulated herself, she was this far ahead of schedule. In fact, much of her itinerary in the third week going forward was already completed. She blinked her eyes softly and the scrolling paper vanished.
She checked to make certain the folded parchment was in its pigeonhole, which she knew was silly, but she had accepted long ago that this was her personality; she liked things in their places. She enjoyed seeing things in their places. A while back, she had experimented with being messy, but it just didn’t suit her.
Newbury reached into her hair and pulled. In RL, her hair was short and marginally blonde, but here she could pull it out all shaggy and shades of red. She liked to pull masses out and around her shoulders, and then toss back her head. It was wonderful, like trying on an expensive hat, yet it was as sensitive as hair always felt, and she could pull handfuls in front of her face and smell it, weigh it, and enjoy the way the light glimmered on the blonde strands amidst the red, like tangles of silver and gold.
She never spent much time ogling her own appearance, and did not consider herself vain, not in the least, but if once a day she loved to play with handfuls of her hair, her full, living hair, and then toss all of it back over her shoulders as if she really did not care about such things. She loved that moment, the first weight of her hair swinging back over her shoulders, as if she were advertising the best shampoo in the world.
Newbury stood from her desk, enjoying the feel of her hair tugging behind her, and strolled across the large bumpy throw rug, taking a moment to scrub her bare toes deep into the coarse knots of weave, then eased into the alcove where she sometimes enjoyed reading her books. She peered out the window at the densely thick pine trees and the squirrels racing about. She always had to force herself not to lull here, staring out into the forest, as she might find herself dreamily standing before this window, hours later.
She heard the grandfather clock begin tolling the hour. She loved to count the strikes. When the ninth bell struck, she allowed herself to depart the window. It was time to check in on her research project. She returned to the great red rolltop desk and retrieved a small box from the center drawer. She thought of the deep leather sofa and found herself there, and placed the box on the heavy wooden coffee table.
Coffee, she thought, and her favorite brown mug appeared in her hand, steaming. Often she went through the whole ritual of brewing the coffee, French-pressing it. But for now, she luxuriated in the feel of the smooth, creamy surface of the mug in her hands, breathing in the wafting aroma. The cup was warm, as if the coffee had been waiting for her, waiting perfectly for just this perfect moment.
Almond milk, she thought, and a white swirl appeared in the dark coffee. She reached for and seized the end of the silver spoon even as it appeared, and stirred the coffee slowly. Honey, she thought, and stirred that nectar into the mix. Then she smiled, and thought cinnamon, and then, finally, a dash of ginger.
She lifted the mug to her lips and sampled the brew. Ah, yes, ooh, that was good. Hot, thick, good, and what a wonderful taste. She had never tasted coffee this good, absolutely never in RL.
“Okay,” she breathed, her own voice startling her, and she half laughed. She set the coffee mug on the table and unfastened the small, embroidered box. She swung back the small lid and reached into the box and produced a small, crystal cube about the size of one regulation dice. She held the glass cube up in the light and examined the contents. It appeared to be a very green park layout, tiny between her fingers.
She placed the glass box on the center surface of the wooden coffee table. No, she didn’t like that. Glass, she thought, and the coffee table became an unlikely sculpture of crystal glass. She inhaled, as the table was beautiful. Of course, in RL, such a thing would be a horror, you would never be able to come close to it without breaking it—just looking at it could shatter it into a million pieces—but in the Here, it was just…perfect.
Expand, she thought. The tiny glass box expanded rapidly, encompassing the surface of the coffee table. At the last moment, she snatched the coffee cup from the table and nearly sloshed coffee on herself. That would have been just like me, she thought, grinning wryly. It would really have caused no damage, other than to her ego, of course, because any kind of spill here could be remedied with just half a thought.
She readjusted the glass box so that it extended the edges of the table on all sides by about four inches, and then she cut away the top half of the box with a dismissing gesture of her index finger. She looked in at the scene. She leaned forward from the sofa, felt the sides of the glass box, and then whisked them away. Now she could get in close.
Newbury watched the kid coming through the park and she smiled as she instantly caught on to the silly race in progress. She witnessed the kid noticing the children, and then the girl, of course, and then his comical slip up due to an unseen sprinkler head in the grass. He never paid attention to his surroundings, or, she corrected, the kid never paid attention to the proper things. He certainly paid extra attention to the girl with the children. Teenagers, she thought, shaking her head. Then realized with whimsical guilt the reality that just five months ago she had been a teenager, herself! That seemed a long, long time ago. The world had been a very different place when she was nineteen years of age.
She leaned in close. The businessman seemed somewhat familiar. She called up a window above the table, isolating the businessman’s face as he glanced briefly to where the kid was nearly taking a spill, and the businessman grinned. Was he famous, she wondered, studying him, a handsome Asian man in his forties, possibly fifties. There was something about him, Newbury thought, something that troubled her. The businessman glanced directly at her, holding her gaze for just an instant, before turning his attention to his iPhone.
“That was weird,” Newbury said, startling herself again with her own voice. She blinked at the close-up view of the businessman and the window vanished.
She pulled in the view toward her, zooming, eavesdropping on the two at the picnic table as the kid arrived, at full, normal volume, as if she was at the picnic table with them, as if she stood at the end of the table and looked slightly down on them, each person only a few feet away.
“Girls. Hmm. They. Are. Distractions,” the businessman was saying, and as he spoke he glanced to the side and slightly upward, again meeting Newbury’s eyes.
Newbury was not present, in the park, she was not there, not truly. So the businessman could not be meeting her eyes, as her eyes were nowhere near the park, and yet he looked directly to her angle of view, and quite deliberately, had met her gaze, but only for a moment.
The pair at the picnic table exchanged a few words, and then the young man lost himself in his moleskin journal. Newbury, more fascinated than she ought to be, considering the lack of drama at the table in the park, felt herself suffused with a sense of unreality. But no kidding, how much was a human mind expected to leap? She was not in the park. She was not seated on a leather couch watching a crystal diorama. In reality, her eyes were closed, and she was lying cocooned in a spongey chamber, utterly in the dark. She could almost sense her body lying there, quietly, not moving, barely breathing, her pulse slowed to thirty-two beats per minute.
And yet she was fully here, a presence at the end of a picnic table, simultaneously sitting comfortably on a leather couch, leaning forward, while simultaneously lying prone in the dark.
She lifted her hands to her heart. Not really, as these were her Here hands, in her Inner Sanctum, and so really there were no hands clasped at a heart that wasn’t here either, and yet her presence was here at the end of the picnic table and she could feel, with her hands, her heart racing in her breast, she could feel her pulse throbbing in something that felt very much like fright.
Unreality rippled across her presence, because the businessman seated a few feet away from her had looked at her, twice. First he had glanced out at her from the isolated window she called up, the close-up view she used to study his face. He saw her, although that was absurdly impossible. And now he had turned his head in the opposite direction, to meet her gaze again, from another angle. He had seen her, Newbury was sure of it, even as he said that girls were distracting, as if he were more speaking to the unseen young woman than to the teenager.
Part of her wanted to close this research project down, right now, just shrink down the glass cube and fit it back into the embroidered box, latch the lid, and return the thing to her desktop drawer. Or, she thought, she could throw it into the brass wastebasket next to the red rolltop desk. But then again, she could not stop watching.
Newbury watched the businessman with the silver half-lens spectacles as he pretended to perform tasks on his iPhone, while all the while he watched the kid through the corners of his eyes. The kid was in another place, yet seated at the picnic table, but his mind was soaring as his fingers moved furiously, the pen scratching on the paper in the journal. The businessman was nodding, studying the boy.
Newbury called up a quick window near her face, zooming in on the businessman’s hands and the silver iPhone. She pulled the view in closer. The businessman was actually doing things even though he was not really looking at the device, calling up e-mails, discarding them, opening a schedule that was marked to the minute, and then she caught a glimpse of another screen behind the flashing windows on the iPhone. It was a familiar looking window, one she had looked at many times that displayed a respiratory graphic and a pulse graphic, with the label, Number Seven: OBSERVING.
She caught her breath. Number Seven, that was Newbury!
The screen flashed and filled with videofeed. She recognized it at once, the shaky hand-held wobble, that view when someone turns on their own facecam and takes a moment to center their own image on the screen, and suddenly she was looking close-up into the businessman’s dark eyes, and he was frowning at her over his silver half-lens spectacles, slowly shaking his head.
Then her window closed. She did not close it. It was an outside control. The businessman himself closed the window, her close-up view on his iPhone. Not only did the view disappear, but so too the floating window. He had commandeered her own sacred space, reaching into her very Inner Sanctum.
Newbury returned her view to her unseen perspective at the end of the table and watched as the businessman pocketed his iPhone and began speaking with the teenager. They discussed a few books she had never heard of, and as she sat huddled on the couch, feeling cold and alone, isolated, she saw the businessman make a series of intricate finger motions in the air, all done while the teenager was looking away from him, and she witnessed the carving appear deep in the bark of the tree, the four letters appearing in a very deliberate series.
J-A-C-K.
Somehow the businessman, from six feet away from the tree, had carved the teenager’s name into the bark. Without thinking she zoomed in on the letters. They looked aged, weathered, as if someone had carved the name there years ago.
Newbury closed the whole view. She sat at her wooden coffee table, grasping her coffee cup to her breast, the glass cube inside the embroidered box returned to the top drawer of the red rolltop desk.
She looked up at the glass dome of her Inner Sanctum where it was always night, where all the fiery stars glittered and planets shone. She noted one planet burning too brightly. It seemed to be growing larger as she watched.
Saturn became plainly visible, with all its rings, hanging in the succulent night sky. Newbury dropped her favorite mug of coffee but it vanished before it struck the wood floor.